YES Hybrid Snowboard 2022

Wait, they made a good-looking Hybrid?!

Scandalous love-child of the iconic 420 and PYL boards, the Hybrid immediately got attention with it’s release from anyone that knew anything about it’s parents. It has the shorter/wider surface-planing of the 420 and employs the Tapered UnderBite outline originally unveiled on the PYL. Floaty and maneuverable with confident edge hold and responsive snap out of turns, we’ve created a perfect hybrid of these two boards that has constantly grown in popularity. Base colours are not guaranteed (Base Colours May Vary)

SPECS

Terrain	Pow
Binding Compatibility	2x4 Inserts
Laminates	Triaxial Glass
Rocker	Directional CamRock
Core	Poplar / Paulownia / Bamboo
Flex/Response	Flex Rating – 7 (1 Soft - 10 Stiff)
Shape	Tapered UnderBite

TECHNOLOGY

Poplar / Paulownia / Bamboo

Creates a lighter, more responsive core than the Full Poplar.

Sintered True

True Sintered bases are harder and more expensive than extruded, and can be faster for those that ride aggressively.

Tapered UnderBite

Each side of the board’s effective edge is segmented into 3 distinct parts that step horizontally inward rather than tapering.

Art by : Mark Kowalchuk

Lately I’ve been really into sci-fi and fantasy art I feel the ideas of infinite realities and what could lie beyond our comprehension very interesting. I’ve been really looking at a lot of 70s retro sci fi art and watching a lot of space movies lately. I find that sci-fi is an amazing genre for an artist to really dig deep into their imagination and challenge them to come up with concepts that haven’t really been portrayed yet. For these boards I tried to link all 3 graphics : trees, air and space by a gateway/portal between them. For creating these graphics i start with some rough sketches and doodles and figure out the layouts and general idea behind each one. Then I’ll redraw each one a bit better and at full size. Once the drawing is sketched in I trace my own artwork to clean up the linework and scan it. Once on the computer I move the elements around and digitally colour it. The last step is just setting the artwork into the template shape ready for production.